Realizing Connectedness

In this cyber age, connectedness means something different than it did a decade or more ago. Definitions change to fit the culture, times, and influences of the day. I've lived long enough to have multiple definitions for the word that means having part/elements logically linked together.

One definition also relates family members as connected by blood or adoption. I have always lived by that definition. Connectedness within chemical compounds or atomic distribution is also applicable. 

Links through philosophical beliefs or theories could apply. Today we also have connectedness within the cyber world.

How connected are you? How many social networks do you belong to? How many do you believe you need to belong to as a writer for a successful brand/platform/name? Or, do you think you have to be connected at all?

The rule of thumb in the business world, whether on Wall Street, in Washington D.C., or in Hollywood, declares; you’re only as important/influential as those whom you know, whom you’re connected to. All things being equal, who do you know?

Writers are told each day that platform matters to our career paths and futures. We’re advised to join networks, make connections, so that the circle of our influence continues to move ever-outward with new contacts and their networks. (I wonder if there will come a time when everyone in the world will be connected directly to every other person on the planet, if only in name.

If that were the case, would there be any influence at all for anyone? Each person would have as much backing as everyone else. Where would that leave us?

You’re probably wondering why I began this thought path. In doing Robert Brewer’s Author Platform Challenge this month, I realized this morning how much of the process I’ve already gone through and completed.

I have my networks in place, my Facebook, and Twitter accounts active and gaining members. I have my blogs, obviously. The thing I’m waiting to learn is how I can get these networks to work for me with positive changes which continue to build each week. I’d also like to know how to use the blogs for creating my own  readership, which continues to grow. Along with growing blogs, I’d like to know how to make them as enjoyable as possible and how to get them to pay me.

I’m not thinking of huge amounts of money here. I am talking about payoffs in book sales, etc. I’m hoping the appropriate tasks come along soon. I suppose the most useful piece of info for me is how to do all I need to do without using massive amounts of time in the process. Right now, time is something in short supply around here.

While I get myself all squared away here with the platform development challenge, tell me how you handle your own platform. Do you have one? If so, what is it and how long have you been building it? What are your goals for your career and do you think your platform will help you achieve those goals?

Leave me a comment. Tell about how you’re working all of this modern writing business connectedness aspect. I’m interested in knowing what others are doing with their work and how their efforts are paying off for them.

Until later,

Claudsy

Planning for the Month Ahead

During this past couple of months I’ve spent most of my spare writing time working on my Wordpress blog, with daily postings related to a central theme. This month’s theme was “Whether.” Nothing else, just “Whether.” I decided, for those who haven’t dropped by one of my other homes yet, to write about aspects of a writer’s life and work.

Each post title begins with the word “Whether” and tries to reflect the heart of the post’s theme. I’m not sure if I succeeded with my final desire. I know that I received more likes from April 1 to April 20 than I’ve ever received in one month before. That’s going some.

What I discovered is that I can suck the life out of a subject and still find something more to write about it. I wonder what else I can find to write about for the next few days before April arrives. Just call me “Vampira.”

Next month is almost a predictable theme. POEM. Since April is National Poetry Month, having this theme makes perfect sense.

Now, let’s look at that scenario before trying for substance on it. Robert Brewer’s Poetic Asides site will have its annual poem-a-day challenge going, with the end result being a chapbook manuscript to be submitted for competition and possible publication.

My friend Marie Elena and her poetic partner in cyberville, Walt, will probably have more goodies lined up on their poetry site, Poetic Bloomings. Several of the other sites dealing in verse will undoubtedly have goings-on that will rival the upcoming Maypole dance.

Which should I go for this coming month? It’s not like I haven’t anything else to do but write poems.

I could do Robert’s challenge prompt each day and also post it on my Claudsy’s Blog and on BlogHer. I think that would be cheating, though, and have to reconsider that to find out if I’m allowed to do that. Either way, I would be writing a lot of poetry throughout those halcyon days of Ares’ month, if I take up either challenge—BlogHer, Poetic Aides, and/or any of the others available.

As my friends know, I have no trouble writing poetry. I enjoy it more than most things, when I allow myself to take the time to produce it. I think what bothers me about it is that revision of it is such a pain. When I write verse, it’s instinctual, immediate.

I don’t what to have to analyze the intimate feelings that brought those particular words to the front of my consciousness and placed them on paper. I want raw emotion, not devised and controlled feeling that insinuates itself into the reader’s mind during the reading process. I want the reader to see and feel it as I did when I wrote it. I want the reader to envision that instant that’s been placed in physical form upon the page.

That need of my own may be the most poetic thing about what I do when I put words on paper for others to read. Visceral response should be the only response, to my way of thinking. That’s what verse is for me. Shakespeare wrote from the gut. Its form of verse tells a story that resonates within the sinuses upon reading aloud. Whitman did the same when he wrote about his take on the world and our place in it, about how we treated each other and ourselves.

There is no thought in my mind of advancing to great acclaim for verse I produce. My only need is to translate personal feelings and perceptions into some concrete form that approximates the echoes of nebulous and insubstantial stimuli.

April, a month of verse, arrives in five days. How many others out there will accept the challenge, is unknown. Would that each could take but a moment to place simple words on a page for the purpose of holding on to that moment in time.

TTFN, all

Claudsy

Review What You Know

Lately writers have gotten two bits of advice on what to write about: write what you know—the old literary standard, and the new, write about those things that you’ve always wanted to know.

 Either piece of advice will put words on a page, but the question is: what kind of words are sticking to that page?

During the February Blog Challenge on my Wordpress blog, Claudy’s Blog, I’ve talked about my family. I haven’t given away the store, by any means. I’ve dived into those strong personal memories that surged to the surface of the memory pool. They were strong in personal meaning, not necessarily in perfect imagery. They were things I’ve known from the past.

Since beginning, I’ve spoken to a couple of family members who remember additional info about specific aspects of those I’ve written about. I learned things that were previously hidden from me. In doing this challenge, I started a process of looking at family about which some was known to me, as well as the people who carry those additional memories.

How to Learn About Memory Carriers?

People store memories in odd ways that even the experts haven’t unraveled completely. Associations made up of emotion, sensory triggers, and/or trauma link aspects of memories within the brain and the mind. Ever wonder why the scent of a favorite baked goodie makes you feel good and think of mom or grandma? What about that sharp pain in your shin? Didn’t that leg get whacked during a Little League game?

Those associate olfactory and pain triggers have kicked in to bring emotion and their accompanying memories to the surface. In fact, many believe the sense of smell triggers the strongest and most accurate memory links.

My theory is that people reveal themselves through what they remember and the sensory triggers that call up those memories as much as through how they behave.

Many writers use this knowledge to build characters that are believable, rounded out, and belong in anyone’s family or town. This ability to reveal a person’s internal truth shows a character’s motivations, personal history, aspirations, what-have-you.

When I talked of my Dad’s lessons in field and forest, I was standing beside him, listening to what I remembered of his words, his tone; watched his gestures and facial expressions. The memory movie ran until I stopped it to move on to another lesson memory.

Like most people, hearing a song on the radio puts me immediately back into the time and place where I heard the song for the first time or into the most personally important event of my life up to that point. Flip the record and I do a similar bit of time travel.

The sound of a particular word or phrase—especially if it’s in dialect—and my world will shift to that place and those whom I’ve known who use that word or phrase in the same manner.

Collecting and Using the Knowledge

Think back to people you know within the family. What do you know about their lives? Isn’t it true that you think you know only what they’ve told you about their earlier lives?

You can broaden your view of them by sifting through your own memories; sort out the conversation or trigger that brought about the telling of your family member’s recollections. When you talked to you grandmother, for instance, as she helped you make your first cookies, didn’t she reminisce about baking like this with one of her loved ones?

Body language exhibits unconscious cues to internal feelings and can’t be totally controlled. Do you recall what her face showed during that retelling of a past event? Was her tone lovingly gentle, filled with suppressed laughter, or tight-lipped with suppressed emotion? Did her eyes sparkle and her hands pause as she stared off into space for a moment, lost to that memory?

All of those tiny cues hold keys to a life lived before you existed. They speak of that person as you’ve never known them. You have only to take note of them and add the information and supposition to your working knowledge of this person who belongs in your family.

Watch a speaker’s body language as carefully as you listen to her words. Together, speech and physical cues can fill out your mental photo of that person. Use that information in ways that help your relationship, create a believable character, and expand family history and your understanding of it.

You can now write about something you know. You can also dive deeper into things unknown for the sake of knowledge about someone in your life. These are examples of what writers do, some of what this writer does, and why all writers need to use what they know and be able dig into what they don’t know.

Until later,

Claudsy

Saving Purpose for Later

For those who don’t belong to BlogHer with its millions of women bloggers and writers, take the time to investigate the network, or risk always wondering what you’ve missed.

Me? I’m taking the NaBloPoMo challenge for the month of February. Facebook followers probably already know that. This month’s challenge is themed “Relative,” encouraging all of us to blog each day about some member of our families. It’s an opportunity to blog about those well-loved, others dismissed, those who confuse, or whatever family member that strikes the writer’s fancy on that day.

Considering my perverse nature, I began at the end of my definition of family and am working my way forward to those who comprise my nuclear family.

This challenge is allowing me to take a good look at people that I’ve not brought to the foreground in a long time. It’s also giving me all sorts of ideas for stories, articles, and poems.

Through this exercise I realized not just how energizing memory fishing with such a purpose can be for me, but also how well it generates its own kind of creativity. Bits and pieces of long-buried memory float to the surface: nothing major, sometimes only a face, a voice, or an image of someone’s hands. Still, that’s enough to trigger another idea, a vision to be fleshed out later.

This exercise--this blog challenge--has become a creative tool for me, to serve up a purpose for later as a kind of dessert at my writer’s dining table.

First, I get to review all of those I’ve considered members of my family. I get to observe, at a distance, who these people were when I first knew them. I’m encouraged by my inner voice to compare that to who they are now in my life. I get to remember those who’ve left this world and how they were connected to me during their lives.

And, secondly, this mental review of people and animals creates a gallery of characters in a kind of mix and match way to provide all that I need for the rest of my years of writing, whether poetry or stories, if I so choose.

Do you realize how much power that is, how much material? Does any writer know this until the day arrives when the family memories are sifted for a purpose outside the writer’s own daydreams? I wonder.

As in so many other ways, we take our families for granted, I think, regarding how much writing material they provide simply by hanging out inside our heads. Now that I realize the extent of their contribution, I’m going to keep visiting that gallery to find more portraits to bring out into the light and show others.

Have you visited your family gallery lately? Have you done character studies on all of them for those masterpieces of prose and verse that wait to be penned? It’s never too late to start. Just look at how long I took. Don’t put it off. There’s a prize winner in there somewhere. 

If you don’t believe, ask the writers of memoir. They know.

Until later,

Claudsy

NaBloPoMo

Yes, folks, your eyes aren’t deceiving you. There is yet another challenge for the writers who just can’t stand going without one.

I found this particular one when I joined the BlogHer Network a couple of days ago. The challenge is to write a themed blog post each day for the given month, in this case, February.

BTW, this should in no way intimidate or discourage any writer from picking up the gauntlet of that have beaten back many a writer. After all, there are many writers and other bloggers who already post each day. I know, because I used to be one of them.

According to the BlogHer challenge, February’s theme is “Relative,” meaning that each post must have something to do with family in one form or another.

Now, having redefined what constitutes “family” many times across the span of my life, I don’t seriously feel challenged as to topic. I have entire state’s worth of pseudo-family to draw from.

What might concern me, if I allow myself to think about it for more than a nanosecond, is the fact that I have three blogs—not counting an inactive one in the UK—which might, technically, fall under the auspices of this challenge.

Should I be held accountable for only one of my blogs each day, or, do I have to include all of them in the challenge?

That’s a big question and one I have only a few days to answer before beginning the keyboard shuffle.

I’m counting on all of you to help me with this decision. Am I supposed to do all three—that includes Trailing Inspirations on Wordpress—or can I muddle through doing only one of them? And if only one, which one—Claudsy’s Calliope on Blogspot, or Claudsy’s Blog on Wordpress?

Comments are encouraged, indeed, required on this one, peeps. HELP ME DECIDE!

Claudsy